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TV Golden Globe Nominations

December 15th, 2009

The Oscars are more my type of Awards show (hey, we can all  have our guilty, non-TV pleasures, right?) but I enjoy the Golden Globes. The show is fun, and I like that they honor television and movies.

Take a look at the list of (most) Television nominees and my thoughts:

BEST TV SERIES – DRAMA

  • Big Love
  • Dexter
  • House
  • Mad Men
  • True Blood

I think most of these are good choices. Noticeably absent however, is Lost.

BEST ACTOR – TV DRAMA SERIES

  • Simon Baker, The Mentalist
  • Michael C. Hall, Dexter
  • Jon Hamm, Mad Men
  • Hugh Laurie, House
  • Bill Paxton, Big Love

I support all these choices. They are all good leading men.

BEST ACTRESS – TV DRAMA SERIES

  • Glenn Close, Damages
  • January Jones, Mad Men
  • Julianna Margulies, The Good Wife
  • Anna Paquin, True Blood
  • Kyra Sedgwick, The Closer

I adore Kyra Sedgwick, so I am happy to see her get a nod. Julianna Margulies has been wonderful in The Good Wife, so that nomination is well deserved. And Anna Paquin is just great in True Blood. Although where is Mariska Hargitay?

BEST COMEDY SERIES

  • 30 Rock
  • Entourage
  • Glee
  • Modern Family
  • The Office

So, so, so, so, so glad Glee and Modern Family are on this list. Perhaps the 30 Rock era is done? Not that I have anything against the show, I am just so totally in love with Glee and Modern Family. I’m going to pick Glee to win by a narrow margin. The only series I would have liked to see up there is Parks and Recreation. They have had an amazing second season, and they deserve some recognition.

BEST ACTRESS – TV COMEDY

  • Toni Collette, United States of Tara
  • Courteney Cox, Cougar Town
  • Edie Falco, Nurse Jackie
  • Tina Fey, 30 Rock
  • Lea Michele, Glee

Lea Michele — for the win! I’m glad to see Cougartown represented there, and United States of Tara, but Lea Michele is unstoppable. I sense an Emmy nomination in her future.

BEST ACTOR – TV COMEDY

  • Alec Baldwin, 30 Rock
  • Steve Carell, The Office
  • David Duchovny, Californication
  • Thomas Jane, Hung
  • Matthew Morrison, Glee

I am so excited for Glee! I want to pick Matthew Morrison to win, but he is in a category with Steve Carell and Alec Baldwin, so I say it’s anyone’s game.

BEST SUPPORTING ACTRESS- SERIES, MINI-SERIES OR MADE-FOR-TV MOVIE

  • Jane Adams, Hung
  • Rose Byrne, Damages
  • Jane Lynch, Glee
  • Janet McTeer, Into the Storm
  • Chloe Sevigny, Big Love

The nominees are truly wonderful. But if the Hollywood Foreign Press doesn’t honor Jane Lynch for her comedic genius, I’m pretty sure I may swear off the show next year. (Who am I kidding, I’d never do that–but I am clearly rooting for Lynch here)

BEST SUPPORTING ACTOR- SERIES, MINI-SERIES OR MADE-FOR-TV MOVIE

  • Michael Emerson, Lost
  • Neil Patrick Harris, How I Met Your Mother
  • William Hurt, Damages
  • John Lithgow, Dexter

My heart wants Neil Patrick Harris to win. I absolutely adore How I Met Your Mother. However, John Lithgow is amazing on Dexter. We shall see!

Overall thoughts: I have been writing about Glee since Day 1. It feels so great to see it honored at the Golden Globes. Lea Michele and Jane Lynch are so incredibly talented (as is Matthew Morrison), and I can’t wait to see them recognized. Also, if Lea wanted to sing Don’t Rain On My Parade, I would have no objections. Modern Family has been one of my favorite comedies since the pilot. I wish it were nominated for more than just Best Comedy Series, but I’ll take it. Eric Stonestreet, Jesse Tyler Ferguson, Julie Bowen and Ty Burrell will get their nominations one day. I think that overall, I like most of the nominations. I think Ricky Gervais will make it an interesting night, and I can’t wait to see who wins. (But a preliminary congratulations to Lea Michele…)

REVIEW: Glee: "Sectionals"

December 10th, 2009

Wow. Just wow. Last night’s fall finale of Glee, titled “Sectionals,” was one of the most perfect mid-season finales (or season finales for that matter) I have seen in a very long time. I can’t say this enough, but Ryan Murphy and his creative team are truly brilliant. The episode centers around the Glee Club’s trip to Sectionals. Since Mr. Schuester couldn’t take them, Emma (Miss Pillsbury) volunteers, and pushes back her wedding. However, their trip to Sectionals is not without problems. Mercedes revealed to all of the Glee Club (minus Rachel) that Puck is the father of Quinn’s baby, and then Rachel gets suspicious. She spills it to Finn, who storms out and leaves everyone to scramble.

When the Glee Club arrives at Sectionals (with Jacob filling in for Finn), they draw the last spot and have to watch the other schools go first. It is quickly evident that Sue leaked their set list, and they can’t sing the songs they were planning on doing all along. (Eve’s group even did the wheelchair number!) Rachel calls an emergency meeting, where Mercedes gives the ballad over to her. Earlier in the episode, Mercedes sings I Am Telling You (I’m Not Going) from Dreamgirls, and I will admit I shed a tear (and my heart melted a bit). So Mercedes was all set to sing the ballad, but admits that Rachel should sing it and she is their shot to win. Rachel steps up and says she has something she’s been working on since she was four. Meanwhile, Mr. Schue runs into Finn at school and “leaves his keys” for Finn to show up at Sectionals. He shows up, song in hand, and they start rehearsing. It is finally showtime, and Emma holds up the phone for Schue to listen to the Glee Club perform.

The Glee Club opens with Rachel singing “Don’t Rain on my Parade” as the ballad portion. I could talk for days about Lea Michele’s talent. This number was jaw-dropping, tear inducing, and just amazing. She knocks it out of the park with anything, but ballads are clearly her forte. When I saw her sing at the True Colors Cabaret Night, her show-stopper was a ballad she sang. As much as I love all the other Glee cast sharing the spotlight with Lea, this was her moment to shine, and she nailed it (times 1,000).

After her ballad, Rachel introduces the rest of the Glee Club, and they sing “You Can’t Always Get What You Want,” which was really great. Meanwhile, Mr. Schue comes home to Terri, who says she’s in therapy and wants to work on their relationship. He leaves without saying much to go to Emma and Ken’s wedding. When he arrives, Emma is sitting by herself. She explains that taking the kids to Sectionals was the last straw for Ken, and that she did it for him and not the kids. He tries to stop her from going but this show isn’t going to tie up everything in a pretty bow. Emma declares that he just left his wife, she put in her resignation, and then leaves.

The best scene of the episode, and best musical number comes at the end. The show didn’t tell you who won Sectionals until the last scene when the Glee Club shows Mr. Schue the trophy. They then declare that they prepared a musical number for him. “My Life Would Suck Without You” is one of my favorite Kelly Clarkson songs, and dare I say it that Glee’s rendition was just as good. But it wasn’t just the singing (led by Lea Michele) that was amazing. They incorporated an entire season of performances into that musical number. They did the dances from Push It, Single Ladies, Crazy In Love, and everything in between. During the performance, Mr. Schue clearly realizes he can’t let Emma go. He runs down the hallway to find her and looks in her office but she (along with all her stuff) is gone. This was such a perfect subtle moment. They can’t just run to each other’s arms, we have to want it so badly it hurts. He spots Emma down the hallway, goes to her, and finally kisses her. The look on Emma’s face after this kiss was a whole season of angst let go: finally she had gotten her dream man. When I spoke with Jayma a couple weeks ago, she clearly couldn’t reveal this wonderful moment, but in her subtext, I could see she was rooting for her and Will (even if she couldn’t say it). The kiss ended the episode, and what a perfect episode it was.

After a (half) season of drama, not getting along, and pregnancies–the Glee Club all came together. Sue gets fired for leaking the set list, Schue gets reinstated as the Glee Club director, and justice has been served. But what makes this show truly a cut above the rest is that there is always a bumpy road along the way, but when it all comes down to it, Ryan Murphy knows what the fans want, and he gives it to them. I haven’t read anything thus far that said anything negative about this episode…because there isn’t anything. I have watched the last scene approximately 10 times since writing this, and it’s so subtle and wonderful. Finn may have been frustrated and angry with Quinn and Puck, but he knew he had to support the Glee Club. Even Santana admitted that she loves Glee Club, and it’s the best part of her day. Now one could say where do they go from here now that they all get along and support each other and Emma and Will are together. But there is a long road to Regionals ahead. Jonathan Groff will be heading up their competition Vocal Adrenaline, there is much more to the Terri/Will relationship, we need to meet Rachel’s two dads, and Emma and Will aren’t just going to have a perfect relationship. I’d also kind of like to see the Ken backlash. Will he be around in the back 9? I imagine so, but who knows. And whatever way Sue is going to find to be reinstated is bound to be hilarious and wonderful.

Glee, I applaud you. (In fact, during last night’s episode, I may have given Lea Michele a standing ovation–yes, I am aware it’s just TV). You have done for me what no other show has done in a very long time, in that I am excited every week to see what comes next. You have combined music, dancing, talent, drama, comedy in an innovative way that has truly never been done before. It is going to be a long time until April, but I will be re-watching the episodes to prepare (and fill the void), and listening to all the wonderful music. If the back 9 is anything like the first 13 episodes (which I’m sure it will be), there is a lot to be excited about. I recently read this article in New York Magazine about how TV is an art form (and has become one in the last decade or so). If anything proves this thesis, it is absolutely Glee. It was a wonderful end to an absolutely amazing half season.

And I know my Glee reviews haven’t had great videos lately, so I hope all of these make up for it! I know you want to watch them over and over again, because I sure have: (I can’t even pick my favorite quotes of the episode, because it was all so good).

I Am Telling You (I’m Not Going):

[vodpod id=Groupvideo.4162185&w=425&h=350&fv=id%3D17068721%26amp%3Bvid%3D6574318%26amp%3Blang%3Den-us%26amp%3Bintl%3Dus%26amp%3BthumbUrl%3Dhttp%253A%2F%2Fl.yimg.com%2Fa%2Fp%2Fi%2Fbcst%2Fvideosearch%2F6180%2F98499180.jpeg%26amp%3Bembed%3D1]

Don’t Rain On My Parade:

[vodpod id=Groupvideo.4162711&w=425&h=350&fv=id%3D17068838%26amp%3Bvid%3D6574371%26amp%3Blang%3Den-us%26amp%3Bintl%3Dus%26amp%3BthumbUrl%3Dhttp%253A%2F%2Fl.yimg.com%2Fa%2Fp%2Fi%2Fbcst%2Fvideosearch%2F6181%2F98499638.jpeg%26amp%3Bembed%3D1]

You Can’t Always Get What You Want:

[vodpod id=Groupvideo.4162715&w=425&h=350&fv=id%3D17068854%26vid%3D6574381%26lang%3Den-us%26intl%3Dus%26thumbUrl%3Dhttp%253A%2F%2Fl.yimg.com%2Fa%2Fp%2Fi%2Fbcst%2Fvideosearch%2F6181%2F98499719.jpeg%26embed%3D1]

My Life Would Suck Without You:

[vodpod id=Groupvideo.4162730&w=425&h=350&fv=id%3D17068682%26vid%3D6574309%26lang%3Den-us%26intl%3Dus%26thumbUrl%3Dhttp%253A%2F%2Fl.yimg.com%2Fa%2Fp%2Fi%2Fbcst%2Fvideosearch%2F6180%2F98499086.jpeg%26embed%3D1]

INTERVIEW SERIES: Glee: Cory Monteith (Finn)

December 9th, 2009

What has been your favorite part of filming the show so far?
I like the singing parts, honestly. I like the singing parts a lot, they’re a lot of fun.

Was there one point in which you knew your life had changed forever?
I think it was actually recently when we released the soundtrack – we released Volume 1, and we were at Columbus Circle just up the street from here and we came down an escalator, and how loud people were screaming, to see the cast of Glee was remarkable. And we were all like — I remember looking at Lea Michele and we looked at each other and we were like holy crap. Everything is a little different, things have changed, so I think it was recently. Things have changed a lot in the last little while.

Do you have an ideal guest star?
Wow, I don’t know. I keep saying Alec Baldwin but I think he quit acting. He quit acting right? So I’m going to stop saying that. You know, I’m excited for Kristen Chenoweth to come back to the show. I can’t wait to see that. Josh Groban I think is going to come back. Jonathan Groff from Spring Awakening is going to be joining us as a guest star for a few episodes, that will be cool.

Who has been your favorite guest star so far?
Oh, it’s hard to pick favorites! I don’t know — Victor Garber is incredibly talented and [great] to work with. Kristen Chenoweth is such a pro. Everybody’s been great, we have not had a bad experience.

Do you have an ideal song that you would want to sing on the show?
I don’t know what my ideal song is…I love anything REO Speedwagon or Journey or any of these kind of awesome rock ballads. I think they’re great for my character. I’m really looking forward to the Madonna episode that’s coming up in the back 9. I think that’s spot on. I think that’s going to be a really great experience.

What do you want to see from your character going forward?
I would like to see Finn remember the wrong done by him, and kind of grow up a little bit. I could see Finn growing up in the back 9 a little bit. Because he’s had a lot of experiences, so I think he’ll be a little more experienced in the back 9.

The next couple questions I didn’t ask, but I thought I’d include them for all the Cory fans out there:

What do you look for in a woman?
I think intelligence is a wonderful quality. I think passion. I think people who are interested in what they are doing, and passionate about what they are doing is very attractive.

Do you have a special someone?
No. I’m single this holiday season. So I have all the more time for my friends and family.

INTERVIEW SERIES: Glee: Mark Salling (Puck)

December 9th, 2009

What has been your favorite part of filming so far?
Probably the wheel chair number we did. It was great. We got to cruise around on little wheelchair ramps on stage, and rehearsals for that one were a lot of fun.

What do you want to see with your character going forward?
Oh you know, a good character arc is always good, so I don’t want to see him go too far into the light side, but you know, he’s willing to step up and be a father.

What’s it like throwing a slushee in somebody’s face?
Oh, it’s great. I got to do all kinds of fun things. I shot people with paintball guns, threw slushees in their face, threw them in the dumpster.

How does it feel getting a slushee in the face?
Absolutely humiliating, demoralizing…it was alright. We got that in like one take.

What are the slushees made of?
Something like a petroleum jelly and food coloring.

Gross.
Yeah, actually we were using real slushees at first and then we switched over to that.

And do you have a song you’d like to sing on the show?
Anything Radiohead or Alice in Chains would be awesome.

What can you tell us about the Madonna episode?
All Madonna songs, and I’m not sure about the plot. We don’t even know the plot.

Is she going to be there?
I don’t think she’s going to be there when we are shooting, maybe she’ll stop by, that’d be awesome.

Who do you want to see guest star?
Trent Reznor.

Why is that?
Because then we could be doing like Nine Inch Nails themed-songs, and that’d be awesome.

What’s your favorite song of 2009?
Boy, I don’t even listen to new music. I listen to old music…

How about a favorite movie of this past year?
Coraline.

Why is that?
It’s amazing. It’s 3-D, and it was such a great story.

Are you planning on releasing a solo album? [Ed Note: All the Glee stars have the option to do this in their contract]
I’ve been a songwriter for several years, and just put a record out in 2008, under the pseudonym Jericho. You can actually pick that up at marksallingmusic.com, if I may shamelessly promote myself. So yeah, I’m going to continue to write and record. I don’t know how it’s going to be released or anything, I’m just going to continue to be an artist and be creative, and hopefully I’ll have an avenue to get it out.

What’s been your biggest challenge in filming the show?
The dancing…I am not a dancer.

That’s what Amber said, too.
Yeah, that’s probably a universal theme.

And can you give us a preview of the fall finale?
You’re going to see some great songs. I think there’s going to be a little Rolling Stones “Can’t Always Get What You Want,” which is a great one, and a Kelly Clarkson tune as well.

Below are some questions that I did not ask, but I thought were kind of hilarious and fun…so I included Mark’s answers to those as well:

Do you consider yourself a romantic?
Yeah. A hopeless romantic.

What’s the most romantic thing you’ve ever done?
In high school I had a girlfriend, and there was this field near where I lived. And I took her there, and I took rocks, and arranged them in a heart under a tree. And I didn’t tell her, I just took her out there, and walked her out and sat down and was like “hey, look where we are.”

Do you think the mohawk channels any special powers?
Yes. Actually, I’m so over the mohawk. I hate the mohawk right now. It’s okay, I’ll keep it — I’ve just had it for so long. I’ve had it for like a year, I’m kind of over it. I’ll feel better when I don’t have it.

What about the Lea-Cory rumor?
It’s true. Everything you read in those magazines is true. (laughs)

What’s your secret to a stress-free holiday?
Egg nog…haha. No…I’d say being with your family.

Do you have a book that shaped your life?
I don’t know about shaped my life, but my mom used to read me “The Giving Tree” all the time as a child.

Be sure to tune in TONIGHT at 9 pm on Fox for the fall finale of Glee!

INTERVIEW SERIES: Glee: Amber Riley (Mercedes)

December 8th, 2009

Last week I had the chance to attend a “Carol-Oke” event for Toys for Tots. I jumped on this chance because some of the Glee cast were going to be there helping people sing carols. (Sadly, they didn’t sing themselves). If you read my site at all, you know how much I love Glee. This week is the fall finale (which means no Glee until April), and I’m not quite sure how I will fill the void. I got the chance to chat with Amber Riley (Mercedes), Cory Monteith (Finn), and Mark Salling (Puck) about their characters, what’s coming up for the fall finale and their biggest challenges filming the show. It was a holiday-themed event, so of course I wanted to know their plans as well. I will be posting all the pictures from the event tomorrow, along with the Cory and Mark interviews.

What are your plans for the holidays?
I’m going to go to my mother’s house, she’s going to cook, and we’re going to eat like pigs. And then I’m going to wake up and open my gifts.

What has been your favorite moment from filming the show so far?
Probably when we did “Somebody to Love,” that was definitely one of my favorite moments.

The musical number “Imagine,” that you filmed recently was incredibly powerful. Did you work with the deaf choir to learn the signs?
Yeah — actually it was kind of like improv. They were like “you guys go up there, and try to catch on with the signs,” so we did.

And if you could sing any song on Glee, what would it be?
I would sing “Boom Boom Pow,” by the Black Eyed Peas.

Maybe a group number?
Yeah!

Do you have a favorite song of 2009?
Single Ladies.

And what’s coming up in the fall finale?
Oh gosh, there’s going to be some great songs that you may recognize from Broadway, and some great motion picture songs.

You all have such great chemistry. Was that instant when you started filming?
I think when we first started, we figured out what the work load was going to be like, and how much we were going to be around each other. So we kind of made up in our mind, okay we’re going to work at it. Like with any relationship — a working relationship, a friendship — you have to work at that relationship, and we really did. We made it a point to get to know one another, to know how to work, how everyone’s work ethic is, and to be sensible to one another.

And what has been your biggest challenge so far?
Probably the dancing. Getting used to the dancing everyday, that was the greatest challenge. But we got used to it — we have a really great choreographer Zach Woodlee and his assistant Brooke Lipton, and they’re really wonderful, they’re good with us, they make sure that we know what we’re doing, they make us look good, they know what looks good on our bodies, so we’re confident when we go up and film

What do you want to see with your character going forward?
I really want to see Mercedes’ home life. I think we got enough love drama going around…so I really want to see Mercedes’ home life, I think that would be really cool.

Be sure to tune in tomorrow night at 9 pm on Fox for the fall finale of Glee!

REVIEW: Glee: Mattress

December 3rd, 2009

Sorry that this post is very delayed. I was attending a Glee event! Amber Riley, Cory Monteith, and Mark Salling were all at Bryant Park doing “Carol-Oke” raising awareness for Toys for Tots. Sadly, they didn’t sing any carols, but I did get the chance to interview all three of them! I have some exciting Glee scoop and info including what Amber wants to sing on Glee, what Cory wants to see from his character, and what Mark’s most challenging part of filming is…but I’ll post all of that next week for the Fall Finale!

But anyway, let’s talk last night’s episode of Glee! The episode, titled Mattress, centered around the Glee Club preparing for sectionals, and their photo in the yearbook. In previous years, their photo has been defaced, and this year it looked like Glee was not going to get a picture after all. The Club seems more than okay with this (Kurt points out some hilarious de-facings). But Mr. Schue decides that Glee should have a photo, and has to fight Figgins and Sue. The Glee club settles on a compromise, and elects Rachel to be the “captain” and represent the club in the yearbook. Rachel gets Finn to agree to be her co-captain, but after being hassled by the football team Finn doesn’t show up. During Rachel’s photo session, she learns that the photographer is going to direct and cast a local commercial. She decides that this would be a great way for the Glee club to look cool (and earn some yearbook/street cred) and they shoot a music video for the commercial. They sing “Jump,” by Van Halen while flipping and jumping on the mattresses. I really loved this musical number. It’s great to see them just having fun and being themselves–no drama or slushees. Meanwhile, Quinn is determined to get back on the Cheerio squad (and into the yearbook photo), and she ends up saving the day. After the commercial, the mattress store sends all the kids mattresses. Mr. Schue ends up sleeping on one (more on that later), thereby disqualifying the Glee Club from sectionals because they accepted a gift (and forfeited their amateur status). Quinn goes to Sue (uniform and baby bump and all) and threatens to tell Principal Figgins about all the gifts all the Cheerios received. She insists that Glee got their own full page picture (one of the Cheerios pages), free of charge. After she gets what she wants, she declares she doesn’t want to be on Cheerios anyway. I really enjoyed Quinn sticking up for herself. She is turning into such a wonderful, well-developed character.

However, the most memorable storyline of this episode wasn’t the whole yearbook fiasco. This episode was Jessalyn Gilsig’s (Terri Schuester) chance to shine. I interviewed her last month, and she was delightful. I was thrilled to see her get her big scene, even if it was very upsetting to watch. Mr. Schuester, while looking for his pocket squares, stumbles upon one of Terri’s baby pads (what she has been using to make her look pregnant). He asks her what it is and discovers by looking for himself that Terri isn’t actually pregnant. I could see the despair in both Will and Terri’s eyes, and it was such a poignant moment. Terri was vulnerable, scared and unsure, and you could say the same about Will. He was duped, but he still loves Terri. She did what she had to in order to hold onto her relationship, but this moment had to come. It wouldn’t be Glee (or realistic) if Quinn just handed her baby over to Terri and everything worked out fine. Moments like these are what keeps Glee grounded. Will didn’t break out into song (and sadly neither did Terri–Jessalyn, we’ll get you your solo!) or do anything cliched. It was just a real moment, full of real emotions. It was brilliant acting on the part of Jessalyn Gilsig and Matthew Morrison. And while I was always sort of rooting for Emma and Will all along, I don’t think Terri and Will are over. Many bloggers and critics alike had expressed that they didn’t like or find the need for Terri’s character. I feel quite differently. I thought this was one of the best moments from the show so far this season, because it was so honest and adds a lot to Will’s character. If he had a perfect home life, he wouldn’t be as interesting or unique of a character.

And I have said this much without talking much about the music. “Smile” by Lily Allen is such a wonderful song, and I was so glad to hear Lea Michele and Cory Monteith sing it. Charlie Chaplin’s “Smile” is also great (and another tear inducing number), that ended the show quite nicely. Schuester said because he was the only one who accepted a gift (by sleeping on one of the mattresses because of his home troubles), he won’t go to sectionals so the Glee Club can still compete. I was sad there weren’t more musical numbers, but I hear that next week’s show more than makes up for it. I don’t even want to think about the fact that next week is the last episode until April, so I’ll just continue to appreciate Glee for all it is. I would have to disagree with the assertion that it has become over-rated. I love it, and I’m not afraid to say it. Every episode can’t be “Wheels” or full of Kurt dancing to Beyonce, but every episode has its great moments, and its even greater musical numbers.

Quotes of the Episode:

“While they were in there, I told ‘em to go ahead and yank out those tear ducts. Wasn’t usin’ ‘em.” -Sue Sylvester

“Aside from nudity and the exploitation of animals, I’ll pretty much do anything to break into the business.” -Rachel

And because I know you want to listen to it over and over, here is Smile (Charlie Chaplin version):

[youtube=http://www.youtube.com/watch?v=KZgHBqnxmyo]

EXCLUSIVE INTERVIEW: Jayma Mays (Emma) from Glee

December 2nd, 2009

I have written at length about my love for Glee (see my 1,000+ word reviews every week). It has an outstanding cast, an even more outstanding creator, and it is full of the most wonderful show-stopping musical numbers. It not only has moments to laugh (and cry), but it also has a lot of layers, depth and heart. One of the things I love most about the show, is that everyone has their moment to shine. Everyone gets songs, solos, and showdowns. I recently had the chance to chat with Jayma Mays, who plays Emma Pillsbury. We talked about her character, which relationship she is rooting for, her musical number, and whether we might see her sing again.

What originally drew you to the role of Emma?
Everything, really. Actually, the second I got the sides. I got the sides just for that character before I got the whole script. And just from the sides alone in the pilot, I could tell she was such a well developed character. And there was so much going on with her just from those few sheets of paper that I had kind of describing who she was. I knew immediately that there was a lot that was going to be going on with her. And I think that’s hard to find sometimes with roles for women. There’s maybe not so many layers to them, always. And I just felt from the get go that there was so much going on. And I also knew that Ryan Murphy was involved. I knew that was exciting to me, too. As soon as I heard that, I knew that there would be something good on the page. So I was immediately drawn to it.

Emma is a very interesting character with many layers. She’s very quirky as well. Are you anything like her?
(laughs) Well, (laughs), I’m not obsessive about germs.

I would think not.
I’m not, thank goodness. Although I have to say it, after the first few weeks, after we got picked up and we started filming the first few episodes, I kind of started getting that feeling of needing to wash my hands all the time. And I started keeping anti-bacterial stuff in my purse, just because you start thinking about that stuff more, just naturally, because they’re kinda shoving it in your face at work all the time. I’m not wearing rubber gloves at home, but I definitely keep a little Purell in my pocketbook now.

I think that’s pretty normal. (laughs)
(laughs) Yeah, it makes me feel like a mom. I think moms do that a lot, don’t they?

I think so. I think you’re probably right.
They always have Purell with them, like squirting it on their children and stuff.

Well, at least their children aren’t spreading the germs!
That’s right! When I have kids, they’ll be the cleanest children in Los Angeles.

Good, that’s good to hear! (laughs) And there’s been a ton of different reactions to your character. What do you think of her? She might be very quirky, but she’s a romantic at heart.
She is a romantic at heart. But she’s practical. She’s very interesting, because she does have those dreams and hopes of finding the right man. And in her mind, even though Will’s married, that sort of guy is like the perfect guy for her. She’s very practical in the fact that she doesn’t want to be alone and she knows that she’s somewhat limited in a small town to men. And Ken is a very nice man, he’s not exactly like Will, but he’s good to her and he’s solid. He’s got a job, and he understands her and he understands all her quirks and stuff. So she’s practical, she knows that just might be her lot in life. So it’s weird. She’s got this very dreamy side about her and who she wants to be and what she wants her life to be like. But she’s also got this very practical, down-to-earth, well this is kind of the best I can do thing. It’s funny a lot of people have thought that part about her is weak. Like a weak character flaw, but I actually don’t think that’s true. I really just think that’s the practical side of her. I think that’s her being practical. And I think a lot of people are like that sometimes.

Makes sense. And which relationship are you rooting for to work out? Will and Emma or Ken and Emma?
Oh no! I don’t know if I can say! That’s a hard question because when you see the scenes of Emma and Will, you obviously think “Oh of course they’re supposed to be together, of course, of course!” but the fact is, is that he’s a married man and Emma knows that’s wrong, and she doesn’t want to be a homewrecker. She doesn’t want to ruin a relationship. So I guess in a perfect world, she could find someone like Will, or maybe Ken (laughs) can become a little bit more like Will. But maybe it’s all about respect. Maybe if she can respect Ken enough, that will develop into true love.

Yeah! Who knows? And you and Matthew Morrison have great chemistry. Was that instant when you started filming?
You know, I think so. We were friends. We knew each other before we started this job. We worked together once before. So, that’s always helpful when you know the person that you’re working with, and you already feel comfortable around them. But yeah, he’s a really good friend, so that makes that stuff a little bit easier.

And a few weeks ago I spoke with Jessalyn [who plays Terri] and asked her what it’s like being mean to you…(laughs)
(laughs) What did she say? What did she say?

She said that the crew gets really into it, and they liked when you guys were mean to each other. Is it difficult to film these scenes?
We are actually really close. And it is funny…I think I’m probably closer with her than anyone else on set. So the fact that we are (laughs) like arch-enemies, it’s really strange. But I actually think that makes it more fun, because it is totally a make believe scenario that we kind of play with when we have scenes together. But no it’s actually a lot of fun. And I think she’s just one of the best actresses out there, I just think she’s so good. And (laughs) she’s so intimidating when she becomes this person…this scary person, that it doesn’t even feel like it’s Jessalyn anymore. So we have a lot of fun with that stuff.

Can we expect anymore showdowns between the two of you?
I don’t know! I’m sure something’s coming because that whole relationship and that whole love triangle — which I hate calling it that — but that’s kind of what it is, is kind of set up for that. But maybe! Maybe they’ll let Emma win this one because I kind of think that she knocked me out in the last one.

Maybe they’ll even the scorecard.
Yeah, even the score a little!

And I loved your musical number, I Could Have Danced All Night. Do you want to sing again? Will we see you sing again?
Oh, thank you! (laughs) I don’t know if I want to say that I want to sing again. I actually found that terrifying. I haven’t had to do that before on camera, and I was so nervous that day. I had to keep eating bread and toast because my stomach was so sick. But it was an interesting experience. It was definitely a challenge for me. Of course if they ask me to do it again, I would do it again. But I’m not going to go begging them for it (laughs). Poor Matt. I stepped on Matt’s feet about a thousand times that day [when we were] dancing.

Well it looked perfect on TV.
Thank you. It’s all in the editing. They made me look a lot better on camera than it was in real life.

I hope you get to sing again, though. It’s great to see all of the characters get their moments to sing.
It is a lot of fun. I’m ready to see Jessalyn sing now.

I asked her that too. (laughs) She was like no ones asking where my solo is…and I was like I’m asking that now!
(laughs) I think I’m going to put in a little hint to the writers room, just to tell them that Jessalyn’s dying to sing. I’ve been telling everyone.

Something about her man, and getting off her man would be good.
It would need to be a country song, I think.

Definitely. Maybe a duet between the two of you.
Oooh, that’d be good! I would like that. I would really enjoy that. I’m going to have to start thinking about that.

Sounds good. And what were you like in high school?
You know, I never know quite how to answer that question, because I did a little bit of everything. I don’t think I necessarily fit into one particular group and to one clique. I did the cheerleader thing, I was a cheerleader, so I was a part of that group. But also, I was a total nerd. I loved math. And I would do the little math competitions that we had at school. And we didn’t have a drama department, but we had this small group where you’d go and compete doing monologues and stuff so I was also in that group. So I did a ton of different stuff, which really didn’t make me feel like I was a part of one particular group, but sort of a part of many.

Well that’s good.
Yeah, I guess that’s good. I guess I was well-rounded.

Do you relate to any of the characters — any of the kids in the Glee club specifically?
Well I guess in that way, I can kind of identify with all of them a little bit. I wasn’t a Rachel character, but I definitely had ambition. I think she’s the extreme of what ambitious kids might feel like. And I feel like there are kind of extremes with a few of the kids. I guess I had ambition, I knew I wanted to do something different. I didn’t know if it was possible at the time, but I knew that I kind of had that drive. But also, I did want to try and fit in with some of the kids at school, like being a cheerleader is all about trying to fit in a little, and be a part of that world. So I think I probably identify with a few of them, but not one in particular.

Your character gives out some crazy advice, like telling Finn and Rachel to wear sunglasses.
Right. (laughs) That’s great advice, come on!

(laughs) Well, I mean that does make you cool!
(laughs) It just shows how cool she was in high school.

Have you ever gotten or given out really crazy advice like that?
That’s a good question. (laughs) Let me think…I don’t know. I try to steer clear of giving people advice. I kind of think that can get you into trouble. That’s probably the best answer I can give you there.

And do you have a favorite moment from filming so far?
Actually, I’ve only had one small scene with him, but I really enjoyed working with Chris [Colfer]. We have a scene where he kind of vomited on my shoes. You didn’t really see the vomit happen, but I just really enjoy being around him, and I think he’s a phenomenal actor. And actually, there’s some stuff that hasn’t aired yet. It’s more towards the end, but I have a few more scenes with all the kids together. And that was really fun. They’re a really fun, unique bunch of kids to be around. When you’re in a big group like that, it’s rare that you get to have a big scene with that many actors. And they’re all so different and so unique that actually I found that to be a lot of fun, because there’s always something that you’re kind of seeing differently when you have that many good actors around you. So they’re really great to be around, those kids.

And can you give a little teaser for what’s coming up? I know you can’t spoil too much.
Well, Emma does get more involved with the Glee Club. I guess it’s a couple episodes away. She does gets more involved, so that’s a little teaser.

And you returned to Heroes quite recently. You had an episode centered around your character. Do you think you’ll be returning again?
I don’t know. That’s hard to say. I’m contracted to work with Glee, so technically I can’t really do any more of the Heroes episodes. But whether or not that happens a season away, maybe I go back. I’m not sure what they’re going to do with that character. I really don’t know. But I love working with them. I love that show, and I really love that character Charlie. I was really excited to go back and do another episode with them.

Thank you so much.
Thank you. You had some really good questions. I promise to have an answer for that bad advice question next time.

Be sure to tune in tonight for an all new episode of Glee at 9 pm on FOX!

REVIEW: Glee: "Hairography"

November 26th, 2009

Happy Thanksgiving everyone! Even though it’s a holiday, over here at the TV Chick, I can’t neglect one of my favorite shows. And since Glee will be on hiatus in a couple of weeks (after the next 2 episodes, it’s not coming back until April), I need to get in all the Glee thoughts I can.

Last night’s episode centered around the Glee Club getting ready for sectionals. Mr. Schuester thought that Sue was leaking his set list to his competitors. Schue goes over to the schools to ask if they are spying, and finds out both are very unique glee clubs. Eve guest stars as the director of one of the clubs at an urban school for girls, and since they have no auditorium or facilities to practice in, Schue invites them to have a scrimmage. They perform “Bootylicious” (it was a Beyonce sort of night), and use hairography (crazy shaking of your hair) to distract from their actual performance. It freaks Schuester out however, and he decides that his Glee club needs to use hairography. They perform a mashup of “Crazy in Love” and the title song from the musical “Hair.”

Meanwhile, another theme of the episode is distraction. Quinn asks Kurt to makeover Rachel, so Finn will be distracted. She wants to “test drive” Puck to see if maybe she wants to be with him. Kurt, who as we know is in love with Finn, does a completely ridiculous makeover on Rachel (possibly the same outfit Olivia Newton John wore in Grease–but if we learned anything from that movie, isn’t it that they both need to meet in the middle?) He wants to sabotage her chances at Finn, but in the end, they both realize they don’t stand a chance with him.

Also, Terri decides to distract Mr. Schuester by getting him a new car to work on while she figures out what to do with the whole baby situation. Terri’s sister tells her that Quinn should babysit for her crazy kids so that she will definitely want to give up the baby. Quinn asks Puck to babysit with her, and despite his constant texting, they come to the realization that they can be good parents. In the middle of babysitting, Quinn decides to distract the kids by showing them a live music video. Puck plays the guitar and Quinn sings “Papa Don’t Preach.” Not only is this song fitting, but I thought again it gave Dianna Agron a great chance to shine. She has an amazing voice (all the Glee kids do), and one thing I love about this show is that while we will (and want to) hear Lea Michele solos and Matthew Morrison belt it out, everyone gets their moments in the spotlight. In the end, Quinn finds out Puck was actually sexting (with Santana), and decides that she is still in love with Finn. She tells Terri she can have the baby, because she wants it to have a good father.

At the end, the Haverford School for the Deaf (the other competition) comes to scrimmage with Glee. They start to sing/sign “Imagine,” by the Beatles and it is incredibly touching. Slowly, Mercedes joins in, and then Artie, and then the entire Glee club. They clearly learned how to sign this song and it just showed such togetherness. A School for the Deaf having a show choir could have been a big joke (and there were some funny moments with their Glee Club director being partially deaf), but instead it was this wonderful display of compassion and understanding. I am getting chills just writing about it, and it would be a big lie if I said I did not shed a few tears. Oh Glee, you get me every time.

After seeing this performance, Schuester decides that his Glee Club doesn’t need hairography. He adds a number that is just them, sitting on stools, singing True Colors. This is one of my favorite songs, and one of my favorite moments from the episode. Tina (Jenna Ushkowitz) gets the big solo, which is great, and the song really wraps up the episode so nicely. Forget the drama, the slushees, the makeover sabotage, they are all friends and working towards the same goal.

But true to Sue Sylvester’s colors (see what I did there?), we see her talking to the directors of the competition, and telling them they should split the songs between them, and she’ll make sure her Glee Club performs last. Eve says she is always trying to teach her girls not to steal and cheat, and she won’t set a bad example. The other director just can’t hear Sue.

The only thing I thought was missing from this otherwise absolutely fantastic episode was a few more songs. I miss the solos (I was hoping Kurt might have another one). I also know that not everyone is a big fan of Terri, and this episode had a lot of her. I personally think she’s great. I think she adds a bit of hilarity to the show and also, I want to know what happens with the baby and her marriage. Mr. Schuester wouldn’t be the same guy if he didn’t have Terri in his life, and I think she adds a good dynamic to the show. The stars are the Glee kids, and I think most every episode showcases them beautifully, but sometimes you need a dash of others in there as well.

In any case, I can’t wait to see what sectionals bring and what other musical numbers come about. I am ridiculously sad that there are only 2 episodes left until the show takes a hiatus until April, but I will just have to fill my Glee void with the music!

Quotes of the episode:

“She manages to dress like a grandmother and a toddler at the same time.” -Kurt about Rachel

“It’s like cool epilepsy.” -Brittany about Hairography

And because I know you love the music as much as I do, here is Quinn and Puck’s performance of Papa Don’t Preach:

 

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REVIEW: Glee: "Ballad"

November 19th, 2009

I can’t promise that I will not have 1,000+ words to say about this week’s episode of Glee, because I just love the show so much. This week’s episode, titled “Ballad” centered around the Glee club learning ballads to sing to their partners. Mr. Schuester explains that ballads say in song what you can’t express in words. Rachel chooses Mr. Schuester (they pick names out of a hat) which results in her falling for him (if only for an episode). We also learn about Susie Pepper who fell in love with Schue in the past. I absolutely adored Lea Michele and Matthew Morrison’s rendition of Endless Love, but this storyline might have been the only one I wasn’t quite as enthusiastic about. The rest of the pairs were brilliant: Mercedes and Puck, Finn and Kurt, and Quinn and Artie are the ones that stand out in my head.

When Finn and Kurt pair together, Finn reveals his anxieties about Quinn and the baby. Kurt reveals his love/crush (albeit silently) for Finn, and helps him express his feelings through song. Finn chooses “I’ll Stand By You,” for his ballad while he sings to the sonogram of “his” baby. Kurt chooses to sing “I Honestly Love You,” but we don’t get to hear it because the entire Glee Club has decided to sing a ballad to Finn and Quinn. I’ll talk more about that later.

Mercedes and Puck get together to sing and Puck reveals that he’s actually Quinn’s baby’s father. It’s only a matter of time before the rest of the Glee club finds out. But Mercedes makes a good distinction between a baby daddy and a baby’s father. I still think that if Puck wants to step up, he should and can be a father. But the whole Quinn pregnancy is a mess. Later on in the episode, Finn goes over to Quinn’s house for dinner and decides to sing a ballad to her to express his feelings (and break the news to her unknowing parents). He had practiced with Kurt, and calls him in the bathroom for moral support. (One of the best lines of the night was: “I have to go, they’ll think I’m pooping”) After Finn talks to Kurt, he belts out “You’re Having My Baby,” to Quinn. Quinn’s father (who they set up to be this Conservative, Glenn Beck loving curmudgeon) gets angry and kicks his daughter (and Finn) out of the house. There haven’t been many moments where Quinn (played by the lovely Dianna Agron) is given a chance to shine. Most of the time we see her pairing up with Sue in a Cheerios outfit trying to take down Glee. This scene was really emotional, and Dianna played it so well. It was incredibly heart wrenching and realistic. With last week’s rollercoaster of emotions episode, you run the risk of turning it into a sadder show than it is, but I think that this episode had just the perfect amount of emotion paired with comedy with a dash of Kurt. In the last scene, the Glee club sings to Quinn and Finn “Lean on Me,” and yes, I will admit, I shed a few tears.

I love every episode of Glee. To me, this season has been truly perfect so far. This episode may not have been a stand out favorite of mine, but ballads are always great, especially from this talented cast. I liked that the Glee Club came together to support their friends, and it shows that the show might be full of slushees and drama, but it has a lot of heart. Another one of my favorite moments which I didn’t touch upon before was when Mr. Schuester sings to Rachel to try and get her to understand it’s inappropriate to have a crush on him. He sings a mashup of “Young Girl” and “Don’t Stand So Close To Me,” while she and Emma watch. At the end, they both have fallen for him even harder. It was one of those moments that I just thought was so clever and creative. Of course Emma, who wants to help Mr. Schuester with this little problem, would just end up lusting after him. Clearly, I can’t wait to see what happens with the numerous love triangles. I just don’t know how I’m going to manage when the first 13 episodes have finished and I have to wait for the back 9. I’ll probably just have to have a Glee marathon. Whew, I did it in about 800 words. You. Are. Welcome.

Favorite quotes of the episode:

“Ballad, from the English word Ballad. Who knows what this means?” -Mr. Schuester
“It’s a male duck.” -Brittany

“I hope I don’t have to sing to the duck.” -Brittany

“It means I’m very young, and you’re afraid to stand close to me.” -Rachel

And here is the Glee cast’s performance of Lean On Me for your enjoyment:

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REVIEW: Glee: "Wheels"

November 12th, 2009

tumblr_kryhpp4kr71qa7uoro1_500I have been eagerly anticipating the return of Glee since it was announced they were on hiatus for the World Series. I am never disappointed by this show, but I was absolutely floored by this week’s episode. It centered around Artie (which was a great move on the character development front), who couldn’t ride on the bus with the Glee club to Sectionals because the school couldn’t afford a special van for his wheelchair. Mr. Schuester tried to bring some understanding and compassion to the Glee Club for Artie’s life in a wheelchair, by making everyone ride in a wheelchair. There’s always concern when tackling an issue like disability that it won’t be done in a respectful way. But Kevin McHale clearly did his research, carried himself with dignity, and was absolutely wonderful. His solo “Dancing With Myself,” was great, and I loved that they gave him a love interest in Tina, because they had something in common (her stutter is technically a disability). We learn that Tina was faking the stutter and the relationship doesn’t seem to work out, but this was still fantastic.

Meanwhile, the Sue vs. Schue storyline continued as Schue advocated for wheelchair ramps, and the van for Artie. Principal Figgins was so inspired by Schuester’s decision to have all the Glee kids ride around in wheelchairs, that he insisted the Cheerios bring on a new girl to fill the void left by Quinn Fabray. The last girl to try out (Becky) was mentally disabled. Schuester expected Sue to be absolutely brutal (as she tends to be), but instead, Sue told Becky she made the team. It might have been a shocking moment but I sensed there was something more personal going on. Shortly after, we see Sue visiting her mentally disabled older sister. She brings her a pom-pom, reads Little Red Riding Hood to her and shows compassion that no one knew Sue was capable of. It is here that Ryan Murphy shines the brightest. Just when you think there is no empathy in that twisted brain of Sue Sylvester, he really brings it home. Sue might put up a front, but deep down, she is just as sympathetic and understanding as Mr. Schuester.

Another extremely touching and compelling storyline involved Kurt and his father. When Schuester announces that the Glee Club will be singing “Defying Gravity” from Wicked for their new number, Kurt wants to try out for the solo. (Brief aside: when I heard this was going to be a musical number, there were practically tears. It is such an amazing song and perfectly fit for Lea Michele’s powerhouse of a voice. Also, doesn’t she remind you of a certain Wicked star that really needs to guest star?) Mr. Schuester shoots Kurt down repeatedly, even after his insistence that he can indeed hit the high F. (Any former choir member/gleek such as myself would tell you that is a very hard note to hit). Kurt is clearly distraught by the news, and seeing this, his father goes to Mr. Schuester and Principal Figgins and stands up for his son. If you recall Episode 3 of the season where Kurt so memorably dances to Single Ladies, joins the football team, and comes out to his father, you know that their relationship might not have always been the greatest, but it is full of understanding and acceptance.  I love Glee for this.

While this episode may have showcased some character’s differences, it truly shows that they are in this together. (Almost like a brighter version of the Breakfast Club, except in Glee they will keep being friends). In any case, Kurt and Rachel have a “diva off” to compete for the solo in Defying Gravity. Both the solo versions and the duet are on the CD, but this number was as amazing as I could have imagined. And kudos to Kurt (Chris Colfer) who really nailed the performance. We find out he threw the high F at the end because he didn’t want his father to have to constantly get harassed. He had gotten an anonymous phone call that morning about Kurt’s sexuality which had shaken him. And just when I thought this episode couldn’t get any more wonderful and sweet, it does. And I haven’t been able to stop listening to both versions since the episode aired.

This episode also explored the relationship/love triangle between Quinn, Puck and Finn. Quinn has medical bills piling up, and asks Finn for help. Finn seems like he’s trapped in his own thoughts and can’t get it together to find a job. Puck very clearly cares for Quinn, and the feelings appear mutual but Quinn says that even if the baby comes out with a mohawk, she will swear to her grave that it is Finn’s. Finn and Puck also have at it when Puck tells him to step up to the plate and that he doesn’t know how lucky he really is. In the end, both Finn and Puck step it up. Puck puts pot in the cupcakes so they can sell them to raise money for Artie’s van. Rachel helps Finn get a job by using a wheelchair, and he gives his first paycheck to Quinn. It might be sort of a twisted way to solve the problem, but I look forward to seeing more out of this love triangle.

And I have gotten through this whole review, and only talked briefly about the musical numbers which rounded out the episode perfectly. Mr. Schuester announced that the Glee Club will be doing a number in wheelchairs. Proud Mary (Rollin’ on a River) was a great choice, and it gave Artie and Mercedes a chance to be in the spotlight. We also find out that the money raised was more than enough to fund the van, but Artie decides to donate it to the school to get wheelchair ramps. However, Sue had already donated the money for ramps, so Artie gets to ride with the Glee Club after all. But I digress. The musical number ends the show and I couldn’t think of a better ending to an episode that was, to quote my good friend and TV lover alike, “an emotional rollercoaster.” The episode was directed by Paris Barclay, who is an Executive Producer on one of my other favorite shows, “In Treatment.” I think it was a great choice to bring him in for such an emotional episode, when he has so much experience in handling those types of shows.

There had been complaints in the TV Critic/Blogger universe that Glee wasn’t grounded enough, and that this episode was full of convenient revelations. I completely and respectfully disagree. This episode develops many of the characters with a sense of compassion, while still staying true to themselves. Sue Sylvester will still remain a real pistol, but now we know more about her personal life. Kurt is proud of who he is, but we now know he will do anything to spare his dad’s feelings. Artie might not enjoy being stuck in a wheelchair, but we now know how he got there and how it has made him stronger. We got to see all of these characters in a light we’ve never seen them before.

I am so excited Glee is back, and I think this episode has a permanent space on my DVR for many repeat viewings.

My favorite quotes of the episode:

“Recipes are confusing.” -Brittany

“Your irritating most of the time. But don’t take that personally” -Artie about Rachel

“Try auditioning for Baywatch and being told they’re going in another direction. That’s hard.” -Sue Sylvester

And because I know you loved the musical numbers as much as I did, here are the songs:

Defying Gravity: Kurt and Rachel:

Proud Mary (Rolling on a River):