REVIEW: Glee “Blame It On the Alcohol”

February 23rd, 2011

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Thanks to last night’s episode of Glee, I now have “Blame It On The Alcohol” stuck in my head. Not to mention some Ke (dollar sign) ha. There was a lot of criticism of this episode, but honestly, I found it a lot better and less disappointing than last week’s. I wasn’t a huge fan of what went on with Schue and Beiste (obviously more on that later) but I was so happy Emma was back (come on, I started to doubt she might ever be back!) and there were some knockout-listen-to-on-my-iPod-on-repeat performances.

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REVIEW: Glee “Comeback”

February 16th, 2011

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I was so impressed with last week’s episode of Glee that I was hoping “Comeback” would represent just that, a comeback of sorts. Not that it was ever bad — because even at its lowest lows, I still find joy in Glee. But I was loving the direction they were going in. I didn’t love “Comeback” as much as “Silly Love Songs,” but I thought it was pretty good. I was glad to see the Glee kids get a starring role while also sharing the spotlight with hilarious Sue. And seriously, Chord Overstreet made me kind of like a Justin Bieber song, and that’s truly saying a lot.

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ADVANCE REVIEW: The Rocky Horror Glee Show

October 26th, 2010

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Tonight’s episode of Glee is a big one. The Rocky Horror Glee show pays homage to the 1970s cult classic movie The Rocky Horror Picture Show, and it does so in spectacular fashion. Whenever Glee takes on an artist (or a movie in this case), it can be epic (Madonna and Lady Gaga episodes), great music wise but not so much plot wise (Britney episode) or classic Glee (Beatles episode). The Rocky Horror Picture Show is a beloved movie with a lot of racy scenes, but Glee tackles them with respect. The basic premise of the episode is that Emma (yes she is back for A LOT of this episode!) went to see Rocky Horror with Carl. It was a dirty movie theater and people were throwing things (you know how they do), yet Emma was having so much fun she didn’t even think about her OCD. Side note, this TV Chick went to a screening of Rocky Horror in college where they put a V on my head (for RH virgin) and I danced the time warp in the aisles. It’s all a blur. But I digress. So Will realizes that Emma’s really hitting it off with Carl and decides to put on a production of Rocky Horror with the Glee Club to impress her. He asks Emma to come on as the costume designer, and she’s pretty thrilled. Carl may be helping her, but in my opinion, she really wishes she were with Will. In any case, on with the show!

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ADVANCE REVIEW: Glee “Grilled Cheesus”

October 5th, 2010

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I am not alone in saying I was not entirely thrilled with last week’s episode of Glee. I didn’t write it off as the worst hour of television ever, but I felt it was mostly a series of (albeit awesome) music videos as opposed to any plot advancement. This week’s episode, titled “Grilled Cheesus” is the exact opposite. It is one of the best, most emotionally resonant episodes of the series to date. Despite it’s somewhat goofy title, “Grilled Cheesus” is anything but, as it takes on the super sensitive topic of religion. Whenever a show decides to tackle a subject this big and touchy, there’s always the worry that not every point of view will get expressed or someone will be put down for their particular views. I can tell you from my perspective, every religion that’s represented in the McKinley High School Glee Club was given a fair shake, including no religion at all. Non-believers deserve their time too. However, the non believers (for those wondering, Kurt and Sue) explain why they don’t believe in God and what God means to them. Some people heartily disagree with them, but the point is, no one is put down for what they believe in. In times like these, with gay suicides running rampant throughout the country, it’s important for everyone to know their viewpoint is respected and most importantly, no matter what you believe in (or what your sexual preference is), you are supported and welcomed. But I digress.

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REVIEW: Glee “Britney/Brittany”

September 29th, 2010

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We all knew the Britney Spears episode of Glee was coming. I expected epic, and epic is what I got. Perhaps not epic plot-wise but we all watch Glee for the music right? So in that sense, I was blown away. The Glee kids (mostly Kurt) is advocating for New Directions to perform Britney Spears, but Schue won’t have it. Brittany, the character, not the pop star was the real star of this episode that centered around Spears music. She had the best dance moves (seriously AMAZING), the best songs and the best one-liners. One of those was that her name is really Brittany Spears because her name is Brittany Susan Pierce and she has constantly been tormented by living in the shadows of the musician. Oh man, amazing!

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ADVANCE REVIEW: Season 2 Premiere of Glee “Audition”

September 21st, 2010

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Glee is back. No seriously, I kind of can’t believe it’s back myself. There were a lot of complaints about the back 9, the use of guest stars, the HUGE onslaught of music vs. stories, the list goes on and on. I was not as disappointed in the back 9 as my fellow critics and bloggers alike, but I see their point. Ryan Murphy had promised he wants to focus on the main characters and then announced a ton of guest stars. So what’s the story? Here’s what I say: Glee is amazing. You may be cautious about the number of guest stars but we only really have a few ultimately confirmed and remember how amazing Kristen Chenoweth, Idina Menzel, Jonathan Groff and Neil Patrick Harris were? Have faith, Gleeks!

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REVIEW: Glee: “Journey” (To Glee, With Love)

June 9th, 2010

What a journey it has been. The little show that could which started way back last May until now has become a phenomenon. I knew there was something special from the moment I saw it. But even I could not have anticipated the level of success it has achieved — and it is all so deserved. Honestly, can the Emmys just leave the awards at a table for Glee and call it a day?!

I didn’t think anything could top the mid-season finale. I was wrong. “Journey” brings everything full circle. Regionals are finally upon us and the judges are Sue, local newscaster guy, Olivia Newton John and Josh Groban. Right before they perform, Finn tells Rachel that he loves her! (She had previously kissed him in the hallway). Unlike a lot of the pairings this season, this felt wonderful and genuine. They love each other! Finn was once throwing slushees at Rachel’s face and now they are a couple. They have both come such a long way. The New Directions crew perform a Journey medley and they are amazing. I was wary of a remake of “Don’t Stop Believing” because it was done so well the first time, but this remake blew me away. Vocal Adrenaline, led by Jonathan Groff, sang a Queen medley. Besides the fact that Jesse St. James is apparently evil (I had really hoped he wasn’t), this medley was amazing. However, I have to agree with Rachel, they didn’t have the heart that New Directions had. I also am holding out hope that Jonathan Groff will be back, even if only for a few episodes. Ryan Murphy wrote a part for him, so in my mind, it wouldn’t make sense to write him off so quickly. Perhaps he can come back as a Vocal Adrenaline coach?

In any case, Quinn’s mom shows up and tells her that she ended it with her dad and wants her to move back in. Of course she goes into labor at this moment, and the entire Glee club (minus Rachel) rush her to the hospital. In the first of many teary eyed moments (for me, not Quinn), Quinn asks that Mercedes be with her in the delivery room. I love this friendship. I know I have mentioned it before, but I adore Quinn and Mercedes together.  I want to commend the writers on making Quinn’s giving birth scene funny and heartwarming at the same time. I loved when she yelled “You suck! You suck! You suck!” to Puck. Dianna Agron is such a fantastic actress, and I love that she got her moment in the finale to shine.

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REVIEW: Glee “Bad Reputation”

May 5th, 2010

Last night’s episode of Glee titled “Bad Reputation is the first that I wasn’t able to watch in advance. And in all honesty, I’m glad I didn’t, because it was one of my favorite episodes of the whole season (not just the back 9). There were many complaints circulating around about the first 3 episodes of the back 9 and their lack of storyline combined with too many songs. This episode went a completely different direction and I’m so glad it did. For the record, I adored the first 3 episodes but more because Glee was back and because the Madonna episode was epic than anything else.

Bad Reputation centered around the Glee Club getting a bad reputation from a “Glist” or list ranking Glee Club members based on a hotness quotient (sexual promiscuity). Quinn was number one on the list and Rachel was at the bottom. The list was distributed to the entire school. Also, Kurt found a video of Sue dancing around to Let’s Get Physical and he (along with some fellow Glee Club members) decides to release it on YouTube.

Mr. Schuester sings (and dances to) Ice Ice Baby (a song with a bad reputation) along with the rest of the Glee Club. This dance number was awesome. It featured Matthew Morrison, Heather Morris and Harry Shum Jr. primarily but the whole Glee club joined in. Who knew Jonathan Groff was also a really talented dancer? He never ceases to amaze me. In this episode, Sue also meets her match. Molly Shannon is Brenda Castle, a new sassy teacher who laughs profusely at Sue and the video. I believe Sue uttered the words “I’ll punch you square in the taco.” Any episode that features Sue (and the ridiculously talented Jane Lynch) is great in my book. Personally, I would have liked another Sue C’s It but her diary writing more than suffices. Later in the episode, Sue shares a bunch of heartwarming scenes with her sister. I am so thrilled they brought her sister back. She really brings a human element to Sue, but in addition, she is very funny and sweet. Her storyline is not meant for viewers to pity Sue or her sister. They are incredibly close, no matter what disabilities her sister may have.

Kurt, Artie, and Mercedes are not on the Glist, so Kurt devises a plan to not be ignored. Brittany wants to be in the top 3 (she was number 4) and is in on the plan, despite taking all her antibiotics at once and not knowing where she was. (Brittany’s comedic genius continues to shine in this episode) Kurt’s plan involves making a big ruckus in the library. They sing and dance to You Can’t Touch This, which was all sorts of awesome.

Continuing on with the Sue goodness, Sue goes to Emma and tells her she is her new therapist. She spills the beans about Will making out with Shelby and sleeping with April (she knew this because of strategically placed baby monitors). Sue also tells Emma she sucks, and that she needs to stand up for herself and communicate her feelings to Will (in a public setting). First of all, I love Emma and was glad to see her back. And while this scene may have been quite over the top, it was hilarious and completely true to Sue. And I actually agree with her! Emma does need to grow a pair, so to speak, because Will has really been sleeping around. Even if “sleeping around” just means making out and singing duets. Emma decides to confront Will and yells at him in the faculty lounge. She even calls him a slut (LOVE IT) and tells him that she is through with him (don’t love it as much). Later, Will brings Emma flowers, he apologizes but she can’t get over it. However, she basically says that she hasn’t given up hope of a relationship. Both of them clearly need to work out their issues before giving us another perfect “happy ending” kiss scene like in the mid-season finale. I look forward to when they do so! And if they want to throw a little Terri drama in the mix, I am all for it. Meanwhile, Schue tries to get to the bottom of the Glist but no one will confess.

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ADVANCE REVIEW: Glee “Hell-O” & Video Preview (Happy GLEE Day!)

April 13th, 2010

The day has finally arrived! Glee is returning to TV and all is right on my DVR again. The first 13 episodes have brought an incredible amount of success from a SAG award to a Golden Globe to accolades for the show’s fashion. It is rare for a show with only 13 episodes to garner so much recognition so quickly. It has also built up one of the most devoted fan bases in the world. I am so filled with glee (yeah I said it) at the fact that people have fallen in love with this show. Back in May, when it was just a little pilot that could, I realized that there was something very special about it. And Ryan Murphy and his creative team have kept the momentum going since then. There is not a single episode of the entire show that I haven’t adored. Some I like more than others, which is only natural, but any show that is able to bring tears to my eyes simply from a song is at the top of my list.

Hell-O is the triumphant return we have all been waiting for. By now, you have probably read multiple recaps and reviews because it was screened at the Paley Center a couple of months ago. But I want to give you some highlights and tidbits that maybe you haven’t read, without of course spoiling the episode in any major way. When we last left our Glee kids, they had just won sectionals. The episode ended with one of the most amazing song and dance numbers (My Life Would Suck Without You) and Will and Emma finally kissing after weeks and weeks of waiting.

The episode picks up with that scene we’ve all seen in the promos: Kurt, Rachel and Mercedes walking down the hallway thinking they are going to rule the school and then getting slusheed in the face. As much as I don’t like to see anyone get slusheed in the face, this kept their characters grounded. Of course Glee won’t make them popular, why would it? We then learn a lot about Finn’s angst — he is now dating Rachel and she’s a little too, well, Rachel for him (as if you couldn’t tell from the Team Finn shirt she was wearing in the promos). But he’s clearly still very unsure of himself. Now onto another couple — Will and Emma, who really do care for each other but there are obstacles getting in the way. Some obstacles might have names, others take the form of crazy quirks. For those Wemma fans out there, the happy ending doesn’t come so immediately. And then there’s Jesse St. James (played by the lovely looking and super talented Jonathan Groff), the lead of Vocal Adrenaline (New Directions’ competition) who woos Rachel, which doesn’t please the Glee club in the least.

The theme of the episode is obviously Hello. Mr. Schuester gives the Glee Club the assignment to come up with a song with hello in the title. Finn chooses The Doors “Hello, I Love You,” Rachel and Jesse St. James sing a duet of Lionel Richie’s “Hello” upon their meeting (only they would break out into glorious song in the middle of a library), the Glee club sings “Hello, Goodbye” by the Beatles and Rachel sings one of the best musical numbers I think I have ever heard her do–and it’s not a Broadway show-stopper. It is “Gives You Hell” by the All American Rejects. I love this move into new genres of song — especially ones that challenge their Broadway belter to get out of her comfort zone. I have frequently said that I would listen to Lea Michele sing the phone book, and she turns this alternative song that I never really liked into one I will most likely listen to on repeat on my iPod. Well done, Glee!

There is also an amazing showdown between Emma and Terri. The best part about it is that it’s not any sort of yelling or screaming match but more of a subtle takedown where Terri gets into Emma’s head and makes her doubt herself. Ryan Murphy’s brilliance shines here yet again. Even if you hate Terri (which really, you shouldn’t), she still shares this history with Will that we barely know anything about. She is still a part of him even if they aren’t together anymore. From speaking with Jessalyn, I know this storyline/love triangle is really going to heat up and I think they are setting it up for greatness.

The episode ends with “Hello, Goodbye” which is relevant to all the Glee clubbers lives in different ways. And I have gone this entire time without talking about Santana and Brittany. Brittany has definitely become one of my favorite comedic voices on the show, with witty one liners and the ability to play stupid in a very smart way. She and Santana are both out to get Finn (under the master plan of Sue Sylvester), and it is quite hilarious. The best Brittany one liner of the episode is: “You know that dolphins are just gay sharks.” I think I may have made a lot of people turn around and look at me when I laughed so hard. I am really glad that Brittany is getting more face time (and more time for one liners) because she is so hilarious and adds such a great element to the show.

Hell-O is definitely a wonderful way to kick off the season. I have very high hopes for Groff’s character, and I enjoy Idina Menzel as well (she guest stars in this episode as the coach of Vocal Adrenaline). There is comedy, show stopping numbers and the Glee Club drama that we have all come to know and love. However, the 2nd episode (Power of Madonna) is epic. It is probably the best, most innovative 45 minutes of television I have ever seen. So if you are happy that Glee is returning (seriously who isn’t??), your mind will be blown next week.

Glee is back tonight at a special time of 9:28 pm on FOX.

And here are a couple of video previews to tide you over:

Rachel sings “Give You Hell:”

Will and Emma moment:

Q&A: Brad Falchuk and Ian Brennan: Executive Producers of Glee

April 8th, 2010

Glee returns next week and I am beyond excited. There are some amazing things coming up in the back 9. I recently had the chance to participate in a conference call/Q&A with Brad Falchuk and Ian Brennan, two of the Executive Producers of the show. They talked about the extreme popularity of the show, the many relationships (and relationship possibilities) and the super talented guest stars.

It’s more than just a successful TV show, I mean with the CDs, the iTunes, and the tour. Are you ever surprised at how quickly it became so popular?

B. Falchuk: This is Brad Falchuk. I think we’re all very surprised. I mean we shot the first 13 episodes without any of them airing, except we did the special sneak screening of the pilot, so we had no idea what we had. We thought we had something very entertaining and good, but we didn’t know it was going to be quite so epically popular quite so quickly. We’re very pleasantly surprised, obviously. And we knew we were working hard to achieve that, but we didn’t know it was going to become the kind of phenomenon that it has become. We certainly couldn’t have expected that. It would have been inappropriate to expect that; it would have been hubris.

I. Brennan: This is Ian. Yes, on a daily basis it surprises me. We believe in the show and we knew it was good, but I had no idea. I thought that it would kind of be like a niche hit that was good and people liked, but somehow it just struck a cord with people, and that is a real, real pleasant surprise.

So the back nine episodes seem to sort of focus on how Finn will try to win Rachel back. What will we see from that?

B. Falchuk: Well the Finn/Rachel relationship is obviously a core to the show. It’s something that’s really sort of important because it’s the bridge of the two worlds that really in the pilot we were trying to put together, which was this sort of popular jock boy with this unique Glee girl. She represents Glee and he represents the rest of the world. And so we always are going to explore that relationship in many different ways, and it’s going to be a push and a pull in that sometimes it’s going to be him going after her and sometimes it’s going to be her going after him, and they’re always going to sort of be watching each other from afar. No matter what’s going on in their lives they’ll always have one eye on the other one. So we’ll see a bunch of that, and then by the end, I think by episode 22 of the back 9, so episode 9 of the last 9, we’ll reach a really temporary conclusion to that.

Well everyone’s favorite couple seems to be Puck and Rachel. What can you tell us of the developments between them that we’ll see in the back nine?

B. Falchuk: Well every good girl likes a bad boy, and there’s nobody more good than Rachel and nobody no more bad than Puck. So we had no idea it was going to be quite so popular, those two. We did it, sort of again like I said, we shot all those episodes in a bubble, and so we didn’t know that putting them in a relationship was really going to make people so excited. So we go back and explore that a little bit in the back nine, and like I said, we’ll continue to explore it. It’s high school, and everybody is always bouncing around to everybody else in high school, so that won’t stop.

I am curious is there has been maybe any pressure felt on a lot of the cast. It kind of seemed to just skyrocket, and it’s everywhere. You can’t escape; even when it’s been off for four months there’s always something going on, White House, record deals, anything like that. Has there been any pressure felt amongst you guys?

I. Brennan: This is Ian speaking. Speaking for everyone I mean we just got back from Chicago where we filmed Oprah and then went on to the White House; we just got back last night. I was shocked at how poised and professional everyone has been. And like Brad said earlier, this has been a journey of about a year for them. And so you can see how some of these kids, like Chris Colfer who is 19 years old, how poised and how awesome he is in interviews and on camera, and how much the kids like one another, and like us, at least for now. I think it’s an interesting time for them, but they all seem to be handling it really well, kind of the publicity and the fame and all of it. I could not have been more proud of them this weekend.

This question is specifically for Ian. I know you based the initial premise on your experiences singing in show choir at Mt. Prospect High School. I’m wondering what feedback you’ve heard from teachers and students involved in show choir?

I. Brennan: I mean I think it’s amazing. I’ve heard kind of rhetorically a lot of schools, I think, are going through, I mean we’re in California, which is having such an incredible budget crisis right now, and I think that’s happening in states everywhere, and I actually heard from a guy who worked I think in the public school system somewhere in Washington state and he was like yes, we’re having a ton of problems, programs are getting cut. The one thing he said, he was like the one thing no one is touching now is Glee Club, which is such a fascinating blow back from this show. Like if you said a year ago that we were going to kind of be a nationwide commercial for show choirs I would have never guessed it. So it’s a weird kind of snake eating its tail aspect for me to have kind of come full circle from when I was in mixed company. I was a cherub; I had the worst haircut and real bad t-zone issues, like just greasy forehead, super skinny in an ill-fitting tuxedo and a sequined tie. And 15 years later this would be happening. It’s all very, very strange and wonderful.

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